THE MOVIE MYSTIC
The Heart And Soul Of Spiritual Cinema
by Stephen Simon
Now we turn our attention
to an exploration of the heart and soul of Spiritual Cinema, a
collection of works that define the genre. These are all must-see and
must-see-again movies. If you’ve seen all of the following films, then
you know what treasures they are – and we encourage you to see them
again after you read our reflections on them. If you haven’t seen them,
you’re in for a real treat. In our view, they represent some of the
greatest works of art made since the birth of cinema.
Important notes: In the
following … the “I” belongs to Stephen, who has watched and commented on
hundreds of movies during the past ten years in his online column, The
Movie Mystic.
It’s a
Wonderful Life (December 20, 1946)
We begin with a movie so
cherished that many of us cannot imagine the Christmas season without
it. Any fan of Spiritual Cinema must give a deep bow to Frank Capra; and
this movie, without a doubt, is his greatest contribution. This
heartwarming classic is a familiar friend, one that still draws tears of
joy almost 60 years after its 1946 debut. Each year this film finds its
way into our hearts and homes come Christmastime – you can bet on
stumbling upon its black-and-white images while flipping idly through
the channels on a lazy winter day. In fact, its very presence on the TV
screen heralds the holiday season.
It’s A Wonderful Life is
simply a classic. To that end, identifying its spiritual message is easy
enough to do. Understanding why audiences didn’t immediately care for
this picture is not.
The film was released in
1946, just as America was climbing out of the debris of WWII. The
nation’s focus was on a newly found sense of self-respect and dignity
because it had survived an enormous challenge and prevailed. Americans
won the war and they were ready to look forward, not back.
It’s A Wonderful Life was
set in the 1930s during the Great Depression. At the time, audiences
didn’t warm to a film that followed a broken, despairingly frustrated
man in a time of great struggle who asked questions about our place in
the world. People didn’t want to question the meaning of life – after
all, they’d just won life.
Critics panned the film
and gave it horrible reviews. The picture came and went and Capra
thought he should seek a different line of work. Thankfully, movie
lovers gave this picture a second chance and grew to accept it as years
went by.
The story delivers a
moving message about the power and primacy of love. It looks at our
priorities as human beings and asks, “What would the world around us
look like if we’d never been born?” The answer reminds us that the power
of love should and does, transcend all else.
George Bailey (James
Stewart) lives in the average small town of Bedford Falls. He has big
dreams, an appetite for travel and adventure and he can’t wait to leave
his humble beginnings behind. But when a young Mary (Donna Reed) wins
his heart, George settles in to head the building and loan his father
ran before his death.
George ultimately
sacrifices his dreams for the good of his town, but when trouble finds
him, he’s certain that he’s destroyed himself, his family and everyone
around him. You see, he’s misplaced an $8,000 loan and sees no end in
sight. And then, just as he ponders throwing himself off a snowy bridge
into the icy waters below, an angel appears.
Clarence, the guardian
angel in training, is a classic example of help always being available
to us when we need it most. He shows George what Bedford Falls would
have looked like without him... and his revelations are terrifying. Just
as George is brought back to the present, he finds that the entire town
has banded together to raise the money to keep him out of trouble.
This poignant turnaround
tugs at the cinematic heartstrings of moviegoers everywhere. George sees
his “wonderful life” and realizes that his family, friends and town are
the truly important things in life. He may have given up on his dreams
of travel and adventure, but he gained a loving wife, children and
friends who would stand by him in his darkest hour.
In the last scene, a bell
rings on the Bailey family’s Christmas tree. George’s young daughter
tells him that every time a bell rings, an angel gets his wings. With
that, George takes a look toward the heavens and gives Clarence a verbal
thumbs-up, proclaiming, “Attaboy, Clarence!” George’s rousing cheer
still brings a tear to my eye.
The love that surrounds
George Bailey reminds us that no one who has friends, family and the
presence of love can be a failure – and the end result is a great
spiritual classic.
Star Wars (May
25, 1977)
There is a defining moment
in the first Star Wars movie released (Episode IV: A New Hope), one that
bears watching time and again. Since its message has become such a
quintessential statement of Spiritual Cinema, it’s important to study
the scene carefully.
Luke Skywalker must drop a
bomb into a small opening in the Empire’s Death Star because he’s bent
on thwarting the Emperor’s plan to destroy the rebellion (of which Luke
is a part). The task is beyond the reach of even Luke’s computer, since
the timing of the drop and the space into which it must fit are so
precise. The clock is ticking, the pressure is awesome and as he nears
his last chance to save the day, he hears Obi-Wan’s voice guiding him:
“Trust the force, Luke. Reach out with your feelings.” These words and
the emotion behind them, captivated a generation. As this book was being
written, more than 25 years since the first one opened, the last entry
in the series (Episode III: Revenge of the Sith) just opened to
record-setting ticket sales. This is clearly a myth with legs.
Trust the force. These
three words become more than a powerful lesson for Luke – they galvanize
an entire approach to life and they’re a defining metaphor for Spiritual
Cinema. This phrase has become an important concept in our culture and
Gay and I believe that there are compelling reasons why this is so: not
the least of which is that one of the challenges we face as a species is
our ability to trust what we can’t see. Trust here is different from
blind faith in that trust is earned, while blind faith is based on a
lack of trust.
Blind faith, whether
demanded or offered, is accepted with no basis in our experience. For
example, if two people have known each other for a long time and one of
them promises to do something for the other, dependence on that promise
being kept is a matter of trust that’s been built up through similar
experiences over the years. If, however, you meet someone for the first
time and depend upon them to honor a promise they make to you, then
that’s blind faith (and perhaps even martyrdom).
In this movie, Luke has
been brought far enough along in his training as a Jedi that he has
reason to trust the Force. Still, he must learn to put his ultimate
trust in it, to prove himself in the heat of battle. This is a powerful
metaphor because, as a humanity, many of us yearn to trust something
beyond our ordinary senses. Classic religions originally demanded blind
faith from their followers with the only justification being “God’s
will.” Science then came in and used laboratory results as a
justification for trust and it’s worked for hundreds of years. Recently,
however, science has discovered within itself that the intent of the
experimenter his- or herself has a powerful impact on the results of the
experiment. Purely scientific answers have been brought into question by
scientists themselves.
Now, like Luke, we’re
being put to the test. Does the spirituality we’ve cultivated have a
practical value in the real world of our jobs, relationships and
political climate? As spiritual beings, we now search for the power
within ourselves. The paradigm shift that author/philosophers such as
Neale Donald Walsch and Richard Bach have brought to the forefront of
world thought today is that, while there certainly is a power in the
universe we know outside of us as God, the power within us is the
connective tissue to our core spirituality. The journey of the entire
transformational movement of the last 40 years has been to recognize,
accept and embrace our inner union with the universe. “May the Force be
with you” is a phrase that resonates with anyone who’s taken even the
most hesitant first steps on a spiritual journey.
Luke Skywalker is urged to
close his eyes and trust his own inner connection to the power of the
universe. He’s called upon to claim his unique place within it and
herein resides the crucial distinction. Luke doesn’t give his power away
and pray that a God outside himself will smile benignly and grant his
wish. Star Wars established what is, in essence, a new religious
movement (what else could you call a phenomenon that inspires its
devotees to camp out in the rain for days for the privilege of buying a
ticket?) This movement is founded on a central concept that’s brought to
life in one simple phrase: The Force is with you. It counseled Luke –
and continues to counsel all of us – that he had the power within
himself to own his full magnificence in the world.

The above excerpt has been
taken from Spiritual Cinema. A Guide to Movies That Inspire, Heal and
Empower Your Life by Stephen Simon and Gay Hendricks. Published by Hay
House (December 2005) and available at bookstores or at
www.hayhouse.com.
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